The Hevajra Tantra
A critical study
By D. L. SNELLGROVE
Lecturer in Tibetan,
Part I
Introduction and translation
London
Oxford university press
New York Toronto - 1959
PREFACE
The core of this work is an edition of the Hevjra-tantra, based upon a Nepalese manuscript, which was kindly lent me by Professor Giuseppe Tucci. This text has been translated with the help of the Tibetan translation and its most important Indian commentaries. Of these one which is preserved in Sanskrit, the Yogaratnamãlã by a certain Kãnha, has also been edited, based upon an old Bengali manuscript belonging to Cambridge University Library. It has seemed sufficient to make quotations from the other commentaries, which are all preserved in Tibetan, and to attach these in the form of notes to the translation of the main text.
The intention of the introduction is to provide some historical religious setting for the text, and to interpret to the reader the essential meaning of the tantra, as it is understood by the commentators. This part of the work is of a more general nature, and I must acknowledge my great indebtedness to Professor Tucci, whose monumental works on the art of Tibet with the many references they contain, have proved a constant support, and also to Louise de la Vallée Poussin and to Paul Mus, whose theories of the development of Buddhism I have learned to accept as fundamentally sound.
Contents
Preface
Bibliography
Introduction
I. Apologetic
II. Origins
III. Subject-matter
IV. Observations
Translation
Part I
Chapter i. The body of Hevajra
Chapter ii. Mantras
Chapter iii. Hevajra and his troupe
Chapter iv. Self-consecration
Chapter v. Reality
Chapter vi. The performance
Chapter vii. Secret signs
Chapter viii. The troupe of Yoginis
Chapter ix. The spheres of Purification
Chapter x. Consecration
Chapter xi. The four gazes
Part II
Chapter i. Consecrations and Oblations
Chapter ii. The certainly of success
Chapter iii. The basis of all Tantras
Chapter iv. Answers to various questions
Chapter v. the manifestation of Hevajra
Chapter vi. The making of a painting
Chapter vii. Books and feasting
Chapter viii. Subjugating
Chapter ix. Mantras
Chapter x. On reciting Mantras
Chapter xi. The five families
Chapter xii. The four consecrations
Résumé of contents
Diagrams
Glossary of special terms
Index